Zofia Zwieglinska

I am a writer for 1 Granary and Lampoon and a co-winner of the Sloggi x CSM campaign for 2020. My work on fashion, technology and sustainability has been published in 1 Granary, Elle UK, The Times and WWD.


I hold a BA in English Literature and History of Art from Newcastle University and an MA in Fashion Communication from Central Saint Martins, London. My CSM Market Report focused on fashion media revival through long-form text, focusing on investigative features and real-life accounts from people within the industry. 


I have worked at Elle Poland, ELLE UK, Cube Collective, Sunday Times STYLE and WWD.

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Lampoon Magazine •

Aura Blockchain: the privatization of a blockchain is the way forward

Luxury fashion and the Italian textile industry are both relying on blockchain to move them into a new age – who will come out on top? Blockchain as a technology has permeated the fashion industry, among others, showing how technology can be used to help fashion develop across singular platforms. As a way of building trust between brands and consumers, it allows for tracking the supply chain or it provides an opportunity to offer offers and discounts to the customers, among other uses.
Lampoon Magazine •

Milkywire – How Gen Z are moving charitable giving online

Gen Z are becoming the driving force for change in climate action. Forms like apps are showing an easier way to connect with grassroots climate organizations Changes have affected most sectors with the online boom during the pandemic. Some, like fashion, have resorted to trying out new business models that revolve around digital garments and special collections inviting thinking about the future of a world that is more aware of its impact on the planet.
Techstyler website •

Inside the Fashion Pact: In search of social sustainability targets

While the fashion industry’s biggest companies are focusing on biodiversity, oceans and climate, a crucial step in fully addressing sustainability is including socio-political metrics. The Fashion Pact has been lauded as the largest consortium on sustainability and climate change-makers in the industry. It was presented at the G7 Summit by Kering Chairman and CEO, François-Henri Pinault and French President, Emmanuel Macron in 2019 and its signatories now account for 33% of the whole industry.
Lampoon Magazine •

Waste, raw materials and data: the role of consulting in sustainability

«A business needs to be profitable: thinking for the longer term appears today as the strongest approach to the market» – Pei Yun Teng, Global Director of Social Impact at Kearney Patagonia was one of the three companies in the fashion industry that had achieved an acceptable score in the Circular Fashion Index compiled by Kearney by extending the life cycle of their garments, a key metric for reducing the number of clothes sent to landfill.
Lampoon Magazine •

Arianee, the company at the forefront of digital passports for luxury fashion

The growing problem of factories around the world bypassing auditing or not following ethical production standards: Pierre-Nicolas Hurstel is at the forefront of digital passports Issuing physical certificates of authenticity has been the standard practice for luxury goods, however, these can easily get lost or damaged. Some companies have moved their records online and keep databases of their products along with customer details.
Lampoon Magazine •

Organic basics’ circular denim project – Re-designing sustainable denim

Danish brand looks to unpick fashion’s processes and start from scratch with a green supply chain that is transparent about its practices Until 2019, the denim industry was regulated by brands setting their own standards for sustainable and responsible production. However, with the launch of the Jeans Redesign initiative under the Ellen MacArthur Foundation’s Make Fashion Circular, the initiative set the standard for sustainable denim.
1 Granary •

Hybridising fashion and objects through the work of Grace Ling

“I like some aspects to be more subtle because I think the collection and the brand are about this eccentric elegance and intelligent femininity.” This eccentricity is felt with her inspirations from Dora Maar, whose surrealist photomontages challenge the idea of the modern woman. “Because the tailored suits are very covered up, they don’t really expose body parts. But then someone would wear the butt bag and people would end up gazing at the static body part of a person as if at art."
1 Granary •

Masha Popova flies solo

Her bright sci-fi inspired streetwear was available as a limited pre-order collection and she says that she got swamped by orders, even allowing her to get a small studio space to work independently. She credits Instagram for her success, saying that for young designers it offers an economical way of presenting your work to a large audience. “Instagram started putting my images on the Explore page and people would just find it accidentally. That really helped."
Lampoon Magazine •

Imitating stone surfaces through wood that is generated from waste

«Foresso is less about trying to emulate stone and more about using the terrazzo style to make good use of the wood», Conor Taylor reveals the motivation behind the circular company In responsible timber production, older trees are felled and used in industries like design and construction. Many countries around the world contribute towards silviculture, where the guiding principles of forest growth are applied.
Lampoon Magazine •

We need to care about Indian craftworkers – we need to see the other side of what we like

Haute Couture designer – Rahul Mishra, and the founder of Nest – Rebecca Van Bergen on providing artisans with a favourable working environment. Implementing in homework practices The Fashion Pact, founded last year, has now gone through its one-year review, focusing on biodiversity, climate, and plastics reduction. One of the aspects missing from this year’s review that has attracted criticism is the lack of consideration for the human element of sustainability in fashion – it’s workers.
1 Granary •

Jamie Sutherland and the magpie’s paradise

As both his parents are artists, he is particularly connected to drawing and has even covered his table with paper so he can draw his ideas at any time. “That’s often the very first thing that I do. I’ve never really been into fashion drawings. So often, they might not even be people – it’s like decoding something. It takes quite a long time and it’s only at the very end of the process that I’m like, ‘Oh, that makes sense.”
Lampoon Magazine •

Plasticiet – Tackling the design industry’s plastic waste problem with Terrazzo

Melting plastic in the toast oven has gradually upgraded to the large capacity pizza oven – a story of the Rotterdam-based building company talking with Joost Dingemans The first human-made plastic, celluloid, was created by John Wesley Hyatt in 1869 as a replacement for ivory, an essential material for the balls used in snooker. The second innovation came with hard-wearing Bakelite, created by Leo Baekeland in 1909 that thrust plastics into their golden age.
Lampoon Magazine •

Is zero waste just a new marketing move or a properly transparent practice?

In conversation with Holly McQuillan, who discusses the misconception in the zero waste term and suggests new machinery and business models as alternatives in promoting the system From sustainability bloggers in 2016 fitting in a year’s worth of waste into a jar to the continuous greenwashing of the fashion industry, zero waste can become another term that gets lost in the sea of sustainability efforts in fashion.
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